![]() “The first one is Bond walking at the festival with crowd replication, extending the environment with statues and architectural details. “It was all shot without motion control and a lot of work had to come together in pulling our various joins together and hiding how our joins happened,” explained ILM’s VFX supervisor Mark Bakowski. READ MORE: “The Zen Perfection of ‘Spectre,’ Nostalgic Feast for Bond Fans” High Risks, Low Wages, Insane Hours: VFX Workers Say They Are Ready to Unionize 'Star Wars' Comparisons, Work Conditions, and Corey Stoll: Inside the 'Ant-Man' VFX of 'Quantumania' ![]() He steps onto the balcony and struts along the rooftops to kill Marco Sciarra (Alessandro Cremona) and foil the terrorist bombing of a nearby stadium. After stopping for kiss and jumping into bed, Bond takes off his costume and is dressed to kill. It covers Bond walking through the festival escorted by Stephanie Sigman, entering a hotel, continuing through the lobby, going up the elevator and into her room. However, ILM London, on its first Bond mission, handled the deft VFX that pulls it all together.įor starters, the tracking shot (conceived by cinematographer Hoyte van Hoytema) is actually six set-ups in different locations cleverly stitched together by ILM. It boasts an amazing opening tracking shot, an explosion, a collapsing building, and a thrilling hand-to-hand in a helicopter that does an unbelievable barrel roll. Filmed in Mexico City amid a crowd of 1,500 extras in full costume and adorned by all of the cultural glam and craft, it features Daniel Craig’s James Bond at his most relaxed and confident on a rogue mission to kill an assassin. Despite mixed reviews stateside, everyone agrees that the spectacular Day of the Day pre-credit sequence in “ Spectre” is among the franchise’s best.
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